Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture.
Tectonic Shifts Make Way For Hope In Leslie Martinez’s Paintings
Leslie Martinez’s paintings embody the connection they see between the survival skills and ancestral knowledge inherited from living in the borderlands and José Esteban Muñoz’s theory of a queer utopia.
Abstraction as Alienation: On Virginia Jaramillo’s First Solo Museum Retrospective at 83
In Her Bag: Yvette Mayorga’s First Solo Museum Exhibition is a Declaration of Latina Artist Autonomy
Self Help Graphics at 50: An Interview with Karen Mary Davalos and Tatiana Reinoza
Yo Soy Museo: Embodying the Museum with Alberto Aguilar
The Chicago-based multidisciplinary artist shares the inspiration behind his recent solo exhibition at the National Museum of Mexican Art.
Amalia Mesa-Bains’ Venus Envy, Chapter 1: Domesticana Defiance and Ephemeral Memories
The artist’s recent installation at SFMoMA highlights how a Chicana feminist sense of Rasquache, or Domesticana, composes a space for identity formation and cultural values.
Carlos Flores’ Ofrenda a los Arrancados: Ofrenda as Archive
“Ofrenda a los Arrancados” honors Latinx communities in Chicago’s Pilsen and La Villita neighborhoods while creating an alternative to the Western colonial archive.
Exhibition Reviews
Behind The Cloud
Politics
Arts & Community
Queer Studies
Quinz, NY
Afro-Latinx Studies
All Posts
Submission & Editorial Guidelines
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture. We accept pitches on a rolling basis.
Please read our submission guidelines to learn more.
See our masthead here.