A simple prompt is at the center of Claudia Claremi’s La memoria de las frutas: Recall a memory with a rare fruit.

Sarai Montes and Alejandra Rubio interpret chisme as an oral tradition.

Leslie Martinez’s paintings embody the connection they see between the survival skills and ancestral knowledge inherited from living in the borderlands and José Esteban Muñoz’s theory of a queer utopia.

‘Embodied Memories, Ancestral Histories’ is Juana Valdés’s first comprehensive solo museum exhibition.

‘Build what we hate. Destroy what we love,’ an apexart open call exhibition curated by Fabiola R. Delgado, immerses visitors in the intricate narrative of forced pilgrimage.

Though gender, colonialism, Santería, and racialization play leading roles in Castro’s work, it is spirituality that brings them together and activates them with different purposes.