It is a careful balance between archival ephemera, a multiplicity of past sociopolitical inscriptions alongside contemporary artistic manifestations, that echoes the cultural, visual, and material lineages of the YLO.

Muñoz uses fire-following flowers as testimonies of how tied things are; how ecology, body, and spirit interlaces with one another.

Beyond flesh and bone, the body is a repository of memory and experience, a terrain where survival, intimacy, and selfhood are continuously negotiated.